It's the rush of exhilaration and emotion that comes from seeing the hottest Broadway musical of the last decade: Steven Schwartz's Wicked: The Untold Story of the Witches of Oz. With a breathtaking set, eye-popping costumes and powerhouse songs sure to leave you in laughter or tears, Wicked is one of the greatest on-stage spectacles I've witnessed in a long time. But more than that, it's a touching story of friendship, devotion and sacrifice, chronicling the story of Elphaba and her "frenemy" Galinda - two young girls of Oz in search of adventure, love and, most importantly, themselves.

Feeling a little green with envy? Don't! If you haven't seen the show, there's still time to catch the Dayton premier at the Schuster Center downtown. Follow the twinkling green lights in the trees - you can't miss it!

Performances of Wicked run now through Sunday, and there are still tickets available at reasonable prices. The cost of single tickets range anywhere from $46-$135. Looking for the best deal? Try going tonight (Wednesday) or tomorrow; weeknight prices are typically lower, and there will be more seats together. Don't want to go alone and need a ticket for you and a friend? There are still pairs of tickets in the Upper Balcony, ranging in price from $86-$90.  Visit Ticket Center Stage here to purchase tickets.

If that's out of your price range but you're still desperate to see the show and have a little time on your hands, the Schuster Center is holding a nightly ticket lottery - giving out 20 tickets at just $25 each. Diane Schoeffler-Warren with the Victoria Theatre Association says lottery entries will be accepted beginning two and a half hours prior to the show, with drawings starting half an hour later. But be warned - if your name is drawn, you'll have to have cash in hand to get the ticket.

Oh, and here's an insider tip: sometimes the cast and crew hold seats for performances that end up not being used, and those seats are then released to the public. If you're a last-minute shopper, keep checking Ticket Center Stage... because one of those seats may just open up!

More tips if you're planning to see the show this week/weekend: LEAVE EARLY. Seriously. I don't care where you live in the Miami Valley, give yourself at least an extra half an hour to get downtown and get parked. I waited at least fifteen minutes in a line that circled all the way around the block just to get into the parking garage. There are plenty of meters... but if you aren't there early enough to get a good one, be prepared for a walk. And the show has a very strict seating policy for latecomers, so don't say I didn't warn you!

Another handy-dandy tip: make an evening of it. Did you know this production of Wicked is bringing an estimated 1.6 million bucks to downtown Dayton... just in parking revenue, restaurant and souvenir sales? If you're financially able, try one of the many amazing downtown restaurants, and help contribute to Dayton's revitalization. Call ahead, though - you don't want to get stuck waiting for hours, or show up to the show with a rumbling belly!

And my final tip: ENJOY IT! Truly, the show is magnificent display of the best Broadway has to offer, right here in Dayton. The performances are stellar, particularly those of the two leads. The songs are moving, and I guarantee if you don't already know them, you'll be singing them for weeks to come (and probably shelling out some cash for the soundtrack... totally worth it, BTW).

If you've already seen the show, or you're heading to the Schuster this weekend, let me know what you think! Tell if you've been "changed for good," by this phenomenal production!

I was contacted a couple weeks ago by some of my friends at the Dayton Theatre Guild, asking if I would promote auditions for their upcoming production of David Lindsay-Abaire's Kimberly Akimbo. I'd been wanting to write about some auditioning dos and don'ts for a while, so this seemed to be the perfect opportunity. But before I start, here's the lowdown on auditions for Kimberly Akimbo: they'll be taking place this coming Monday and Tuesday, January 11th and 12th, at the Dayton Theatre Guild on Wayne Avenue. Auditions begin at 7:00pm, and you can find directions to the theatre and a description of the characters at the Guild's website, here.

Oh, and before I start handing out "expert" tips all willy-nilly, please know this -- I am not an expert. I performed a lot in high school, and some in college. I have a degree in theatre, but I focused on the academic side. Now, I'm involved in community theatre, and (though I admit to being biased) I think Dayton has some of the best around. I'm working on my fourth show right now, a production of Steel Magnolias at Dayton Playhouse (expect future shameless self-promotion). All that to say... I'm not a professional actor. I don't get paid, and while I have an education in theatre, I was not trained in performance. So, take what I say as a general, common-sense, basic approach to auditioning.

Tip #1: Arrive early. That means if you have to look up directions beforehand, or call the box office to find out how to get there, do so before 6:55. The community theatres in Dayton are scattered far and wide, and you could be driving to a part of town you're unfamiliar with. You'll also need to fill out a form with your personal information at most auditions, so allow yourself time for that. 

Tip #2: Resumes/head shots are nice, but not required. Don't despair, thinking you won't be cast because you don't have a glossy 8x10 like the actor next to you. And unless a photo is specifically requested, don't bring in that Polaroid of you at the 1995 Oz Fest. If you do happen to have a head shot, then by all means, bring it along. Same goes for an acting resume (emphasis on the acting... a director doesn't need to know you slung hash browns at the Waffle House for six years), but don't stress over this.

Tip #3: Show some respect. Be polite when addressing the director, but also show some courtesy to the other people at the audition. The theatre community is relatively small and tight-knit; chances are the people you're auditioning with are involved at other theatres, in other productions. They may also be in a position of authority on the production you'd like to be cast in (as stage manager, assisstant director, etc.). This is your chance to make connections and leave a lasting impression.

Tip #4: Listen! If you're new at auditioning, you're probably feeling nervous (queasy tummy, clammy hands, chills, and a feeling of faintness -- or, you have malaria). You probably don't want other people talking, laughing, or making snide remarks while you're up there in front of everyone, right? Well, neither does anyone else. When someone else is auditioning, keep your mouth shut. Pay attention, show them respect, and for goodness' sake -- put away the cell phone! Yes, that includes texting. Yes, I'm looking at you. Besides, if you watch carefully, you just might learn something new about the role, or think of a way you'd like to play something differently.

Tip #5: Don't dress like a bum. Most directors won't care that you're not in a three piece suit, and let's face it, most actors are known to have a... unique sense of style, but that's still no reason to come in looking like you just rolled off the couch after a three-day Lord of the Rings marathon. Be comfortable, be yourself, but be put-together. And on a related note: do NOT dress in costume. The director wants to see you, not what you think the character should look like. He/she already has a vision for each and every character, and the fact that you think she should wear pink plastic-framed glasses and a leather corset doesn't matter. If you get cast, you can share your ideas with the director at that time... but even then, it's his/her show, not yours.

Tip #6: Be familiar with the script. No, you don't need to have a Ph.D. in English Literature to audition for a Shakespeare play. However, it might help your audition if you know that "Wherefore art thou, Romeo?" does not refer to said star-crossed lover's location. Having a basic understanding of the script and the characters will not only make for a smoother audition, it will also give you a big confidence boost. This is, however, a double-edged sword. You want to be wary of getting too familiar with the script, or too set in a particular characterization. You want to show that you're flexible, that you can take direction. If you're too enamored with your own interpretation of a script or character, you may find it a lot harder to accept the director's vision.

Tip #7: Have fun! I hate to burst your bubble, but you're not going to get paid for this. It's not likely to win you fame and adulation among your peers. It might get you a mention in the local paper, or a story in the media, and that's definitely cool. But, the reason you're doing this (or the reason you should be doing this) is because it makes you happy. Maybe you want to get more involved in the community, or make new friends, or find a way to break out of your shell. Those are all great reasons, but if you don't love acting, and love theatre, then it's not going to be as fullfilling. Now, if you aren't sure yet whether you love acting, give it a shot! You don't know until you try. I was the most shy girl in school until I got stuck as an extra in the school musical. Two rehearsals in, I had fallen head-over-heels. Nearly fifteen years later (no age jokes), that love still abides.

I hope those tips were helpful for those of you still trying to decide whether to take the plunge and audition. It's an exhillarating and unique experience, and one I promise you won't soon forget! It can also be incredibly nerve-racking, and that's okay. Channel those nerves into giving the most energetic, dynamic audition you possibly can. Know that everyone else is probably as nervous as you, even if they've done this a hundred times. And know that you have just as much of a shot at getting cast as everyone else. If you don't, don't take it personally. Wait for another role that interests you, and try again!!

Also, if you aren't sure how to find out about auditions, the best place to look is the internet. You can find auditions postings for the Guild at the link above, or the Dayton Playhouse here, or Playhouse South here. There's also Brookville Community Theatre, Springfield Stageworks, Town Hall Theatre, and countless others, including local university and acting companies. Use those sites to get you started, and make some connections. Sign up for mailing lists, and get to know board members and volunteers alike. Once you meet a few people in the community, you'll be hearing about auditions every week!

And if you do decide to give it a whirl, and you get cast, let me know! I want to hear all about your community theatre successes. You never know -- we might be walking the boards together one of these days! 

However, today I won't be talking about the arts (unless you fall into the "all politicians are actors" camp). Today I got a political scoop and I just couldn't wait to share it with all of you!

This morning, I received an email from a friend of mine who lives in Australia. He told me the newly-installed Premier of New South Wales, Kristina Keneally, used to be a U.S. citizen. Pretty cool, right? Well, hang onto your boomerangs, because it gets a lot cooler! Turns out, Keneally was born and raised in Toledo, Ohio, the daughter of an Australian woman and a U.S. serviceman. Adding to her awesome points (depending on how you feel about Tom Cruise, I suppose), she even knew Ohio-native actress Katie Holmes in her childhood!

Now, here's where it gets really fun. Keneally attended the University of Dayton, graduating with a degree in political science in 1994. During that time, Keneally met her future husband at World Youth Day in Poland, and would later follow him to Australia, where she would become actively involved in the political arena.

Keneally acted as Minister of Aging and Disability Services in New South Wales, quickly climbing the political ladder. When the leading Labor party underwent a recent shakeup, Keneally was poised to step in and replace the last Premier, Nathan Rees. Last night, Keneally won a leadership challenge 47-21, ousting Rees and becoming NSW's first female Premier.

WHIO Radio contacted the University of Dayton this morning, but they hadn't yet heard about Keneally's win. They sent us a link to a web article about Keneally and her time at UD, which you can find here.

And not to trivialize Ms. Keneally's win, but on top of everything else, she's a total looker! I'm just sayin'... look out Sarah Palin -- someone might be stealing your "Hottest Politician" crown! Of course, I mean no disrespect in saying that -- I actually think it's great that young, vibrant, fashionable women are taking to the political arena, and becoming role models for young ladies everywhere. Of course, you may not agree with their political positions or methods... but it's always refreshing to see strong, confident women in positions of power.

If you'd like to learn more about Kristina Keneally, check out this fact sheet, or read her Wikipedia article here. I'll end today's blog with a quotation directly from Ms. Keneally, posted on the UD article referenced above (words we all can live by): "Every day we've got on this planet is a gift."

An excellent sentiment, and words I hope will guide her time in office!  

Dayton Playhouse will be making history this weekend when it opens one of the most controversial plays ever written: Corpus Christi, by Terrence McNally. Why so controversial? The play tells the story of a young man, Joshua, in Corpus Christi, Texas. Joshua, a gay man, is also a prophet, and becomes a Christ-like figure in the story. McNally fully intended for Joshua to represent Jesus, and his twelve disciples the twelve apostles of Biblical times. As you can imagine, this sparked outrage from all corners, most especially, fundamental religious organizations. The show, which debuted in 1998, came at a time when homosexuality was beginning to be heavily integrated into our culture, but still wasn't completely accepted in non-urban or metropolitan areas. Eleven years later, there are still many groups, religious or otherwise, that do not agree with or accept a homosexual lifestyle. There are still geographic locations where homosexuals are shunned, and even face the threat of emotional, verbal and physical violence.

Also in 1998, one of our nation's great tragedies occured. Matthew Shepard, a college student and gay man in Wyoming, was brutally beaten and later died... all because of his choice of lifestyle. Eleven years later, we are only just passing legislation that makes an attack like this a hate crime. It was in this climate that McNally's Corpus Christi opened, just a day after Matthew Shepard's death. The response was swift, and harsh. The Catholic Church immediately decried it as a blasphemous work, while Protestant denominations called it an abomination.

Director Michael Boyd, who'd been following the story of Matthew Shepard and was devestated by his death, became fascinated with the play, and the all-too-familiar cycle of violence it represented. From the moment he read the script, he knew he wanted to direct it. He commends the Dayton Playhouse for being open to producing such a controversial and polarizing show:

"I was truly pleased that the Dayton Playhouse, more noted for its sprightly and crowd-pleasing musicals, chose Corpus Christi for their season. In fact, I'm told that Corpus Christi was the only season selection about which the committee was unanimous. Things are changing at the Dayton Playhouse! And I couldn't be more thrilled."

Dramaturg Amy Brooks says the themes from the play are universal, and have been around since the dawn of time:

"The theme is straight from Sophocles: Which are paramount, the laws of God or the laws of man? And who among us dictates the laws of God?"

Brooks goes on to say that the play, even beyond being shunned by the church, has received criticism for being gimmicky, for pandering to audiences looking merely for shock value, and theatre companies hoping for a little publicity. But the show, she says, is so much more than this:

"Corpus Christi is none of these things. It is a negation of contempt, constructed on the revolutionary notion that the life of a gay human is equal in value to the life of a straight one--that gay minors deserve the same parental approval and safe educational environments as straight ones; that gay citizens deserve elected officials who acknowledge and represent them in good faith; that gay partners in committed relationships deserve to have their vows legitimized by the same legal and religious entities that legitimize straight vows." 

For those concerned they might find this play offensive or discomfiting... they very well might. The show, just like the story and history it's based on, is meant to challenge our current notions and inspire us to think in a new way on a topic that may not have an impact on our daily lives. The story, from what I can tell, is in no way meant to be interpreted as fact; it is, rather, a re-telling of the Biblical account of Christ's life, done in such a way that has new relevance to gay society, and to our culture as a whole. McNally intended the play to show that God's love is all-encompassing, and that when we ignore that keystone of Christianity, there are consequences to pay. Man's love is flawed and conditional and even cruel, but God's love is perfect. That, in essence, is the lesson to be learned from this production.

Boyd felt a very personal connection to this play, due to his beliefs and background. The script speaks to him, as he hopes it will to audience members. He says:

"I am a Christian. I am a Gay man. While there is a lot of material that deals with each topic, very few embrace what it means to be both. The play still moves me in a very spiritual way. I feel that I am giving testament to the transcendence of faith and the hope that a just God embraces us all."

So, should you go see Corpus Christi? I can't answer that. All I can hope is that I can help you make an informed decision. Yes, the play may make you uncomfortable, angry, or frustrated, but I hope it makes you think as well. The play contains adult themes and language, and is meant for mature audiences only. Children will not be admitted. I urge you, if you are uncertain about seeing the show, to do some research of your own. You can find some basic information about the show here, and about playwright Terrence McNally here. If you'd like to know more about the murder of Matthew Shepard, you can begin here. Being an informed audience member is key in a controversial production like this one. The more you know going in, the more prepared you'll be.

As I've mentioned, the show is directed by Michael Boyd, who recently appeared in the season opener Les Liaisons Dangereuses at The Dayton Theatre Guild. The set was designed by producer Chris Harmon, who's contructed gorgeous sets at theatres throughout the community. The cast features Sean Frost as Joshua, and twelve of Dayton's best as his disciples. The show opens Friday, November 13th, and runs for two weekends. Tickets are $15 for adults, $14 for seniors, and $10 for students, and can be purchased here.

If you see the production, I'd like to hear what you think. It's not always an easy topic to dive into, but I'd love to hear some open and frank (and appropriate) discussion.  

This weekend, enjoy those beautiful sunny afternoons, then when the evening chill sets in, take yourself indoors to be a part of the SEED Theatre Project's first-ever production! SEED is Dayton's newest community-based theatre. Their goal: "To be a theatre focused on professional quality geared directly toward our home community." SEED also puts a lot of emphasis on the relationship between artist and audience, artist and community, and audience and community. Their four-part action statement is summed up succinctly: Serve, Enhance, Engage, Dare.

The coolest thing about the SEED Theatre Project? They've pledged to contribute a portion of ticket sales to other non-profit organizations. I'm really excited for this company, because they epitomize the reason I have such a passion for the theatre. As an art-form, it has the ability to transform those who perform it and those who witness it. The best shows are those that (for better or worse) make you think, make you question... maybe even challenge what you've always believed. Theatre has long been used as a vehicle for change, education, and advocacy, and to see it tied it so closely with a sense of civic duty and social activism is truly thrilling.

For two nights only -- Friday (tonight), November 6th and Saturday, November 7th -- you'll have the opportunity to see SEED's inaugural production -- Circumference of a Squirrel, by John Walch. The show is directed by Adam Leigh, who co-founded SEED with his wife, Michelle, and stars Alex Carmichal in a one-man performance. For those who haven't had a chance to see him, Alex does lovely, top-notch work, and is involved in some way with pretty much every community theatre organization in the area. Circumference of a Squirrel tells the tale of a man struggling to come to terms with his relationship with his father, and an irrational hatred and fear of... you guessed it... squirrels.

To find out more about getting tickets for this weekend's performances, and to get more information on this amazing new theatre company, visit their website, which is chock-full of great content, here. Tickets cost $12, and the production is performed in the Excelsior Building on 6th Street in downtown Dayton. I encourage you to get involved and become a part of making this SEED grow.

But hey, there are two nights in the weekend, and I'd be remiss if I didn't give you another option. And, in keeping with the theme of supporting community arts and making a change in our society, I offer up this: A two-night movie premier to support the Dayton Playhouse FutureFest and the Dayton Theatre Guild Building Fund. The movie -- The Line Shack by John Adrian Riley -- screens at 8:00pm tonight and tomorrow at the Dayton Playhouse. Riley is a local Daytony Hall-of-Famer, and has been involved in the Dayton theatre community for more than twenty years. Suggested donations are $10, and the money goes to support two of the oldest and grandest theatre companies in the area. There will be a talkback with Riley and the cast following each viewing. For more information, visit the Dayton Playhouse website, here, or call Fran Pesch at 937-654-0400.   

As someone whose guiltiest pleasure is occasionally rocking out in her car to Tiffany or New Kids on the Block (not NKOTB), I couldn't be more psyched to see this show. A true child of the 80s, I can remember vividly the four-inch bangs, acid-wash jeans, and shoulder pads I sported on a near-daily basis. My favorite TV show was Growing Pains, and, toward the end of the era, I had a mad crush on Doogie Howser. Okay, who am I kidding? I still do (and yeah, yeah... I know I'm not his type).

If you're nodding your head and recalling some of your favorite memories of the era, then be sure to check out Back to the 80s, opening tomorrow night (Friday, November 6th), at Playhouse South in Kettering. The show pays homage to some iconic stars of the time, with characters named Tiffany Houston, Cyndi Gibson, Corey Palmer, and Alf Bueller. The story is told from Corey's point of view (played by Tim Stiffler-Dean) as he looks back on his youth, and relives some of his favorite memories through songs like "Love Shack," "Man in the Mirror," and "Girls Just Wanna Have Fun."

I spoke with assistant director Rob Breving, who says the 80s were a special time in his life: "I have so many good memories of the eighties that it would be hard to pick a best one because there were a lot of firsts -- First car, first dance, first date, first heartbreak." He says the cast (most of whom were born late in the decade, or were just a glimmer in their parents' eyes at the time) have had a great time getting to know the music, fashion, and pop culture of this unique era.

Rob also points out that the show is timeless, and definitely speaks to society and culture in the present day. It also pays tribute to some 80s icons that have been lost this year -- most notably, Patrick Swayze and Michael Jackson. He says, "These two icons of the 80's changed culture as we know it.We are glad that we are able to honor them by doing this show."

The show is directed by PHS Board President Jim Brown, with musical direction by Charles Penird. The show runs November 6th through 22nd. Tickets are $12 -- you can find out more on how to get them here. And, if you'd like a taste of what you'll be seeing at the show, check out the video below, put together by DATV, during a cast rehearsal. I'll be there tomorrow out to check out the opening... because this girl just wants to have fun (cue the groans)!    

While I can't promise you any of that (least of all Rowling's unfathomable salary), I can tell you how to become a novelist. Will you get published? Probably not. Will you get paid? That's an even less likely scenario. Will you have an amazing time and emerge with a sense of achievement unlike anything you've ever known? Oh, heavens yes.

How is this possible? NaNoWriMo, of course! "NaNoWri-wha??" you ask. National Novel Writing Month. NaNoWriMo is the brainchild of Chris Baty, the author of No Plot? No Problem! and a one-time aspiring author with a million ideas and no motivation to get them down on paper. His idea -- create a month for writers (even those who've never strung together more than an email) to compose their novel... and make it a contest. The goal: to write 50,000 words from midnight November 1st to midnight November 30th. Sound impossible? Yeah, it kind of is. Sound completely, totally, terrifyingly, straight-jacket insane? Yeah, that too. Is it worth it?? Every single second, every single word.

Baty stresses that you should go into NaNoWriMo with a positive outlook, an ability to turn off the evil "Inner Editor," and one heck of a healthy sense of humor (because around the second week of November, you're going to need it). Those who sign up for NaNo will get weekly pep talk emails from Baty, which contain such motivating paragraphs as: "You will also, however, write some flagrantly nonsensical chapters, create pages and pages of dialogue that make you cry (in a bad way), and endure a few shameful days where the only thing keeping your word-count afloat is the fact that your protagonist has a habit of reading the dictionary aloud whenever she gets nervous. And she's always nervous." And that, according to Baty, is okay. Not all novelists scribble their ideas down on paper and immediately go down in the annals of literature as a living legend. In fact, very few, if any, ever do. You have to try and fail, and try and fail again, and then maybe do it a few more times, just for good measure. That's what NaNo is about -- attempting something you never imagined you could do... striving for the impossible, and sometimes, achieving it. Even if you only get a fraction of the way to the goal, you've likely written more than most people ever will.

So if you reach the 50,000 word goal, what do you win? Er... self-respect? Something you can lord over friends and family as you tell them over the holidays, in a haughty voice, that you've "written a novel"? The smug sense of satisfaction that comes with knowing you've proven all the naysayers wrong, including yourself? Yeah, all of that. Plus, a nifty certificate, and the opportunity to have a proof copy of your manuscript printed by CreateSpace for free.

So how do you sign up for this magical month of literary possibility? It's easy -- all you have to do is go here and create a profile. Then, you can connect with other WriMos, browse the forums (otherwise known as Procrastination Station), update your word count, and a whole lot more. Even better, you'll become a part of a community that's 100,000 strong around the globe. You'll meet writers of all ages, ethnicities, and backgrounds... and all sharing a common love of the written word. And don't worry -- it's only November 2nd, so you'll have plenty of time to catch up. Chris Baty has broken NaNoWriMo down into an easily managable system of working toward a 1,667 word goal a day. If you start now, you won't have any problem banging out that extra fifteen hundred and change.

If you're looking for local support for NaNoWriMo, all you have to do is check out the WriMo forum for the Dayton region, here. You can contact the municipal liaison here, and find out the latest information about writing sessions and parties (WriMos LOVE a good party). You can also contact the Word's Worth Writing Center in Oakwood. They're holding a NaNoWriMo session tomorrow, November 3rd... but if you can't sign up, you can still get plenty of writing information at their website, and sign up for future workshops and events. And stay tuned, you'll be hearing more about them here in the future.

In conclusion, please allow me to sum up the things you do NOT have to be in order to participate and enjoy NaNoWriMo. 1. Unemployed. 2. A raving lunatic. 3. A particularly talented writer. 4. A sick, torture-loving masochist. Now how about the things you DO need to have? 1. A positive outlook. 2. A sense of adventure. 3. The ability to laugh in the face of complete and utter failure. 4. The belief that maybe, just maybe, you can achieve something bigger than you ever imagined. 5. Hot chocolate (that last is totally optional; I just find it much easier to write when I'm jacked up on sugar and caffeine... you'll find a lot of WriMos feel the same way).

So, what are you waiting for? Get writing! You never know, you really could be the next J.K. Rowling (and when those royalty checks start rolling in, please, please remember who first inspired you to give NaNo a shot. Please). 

Now, I realize that there are naysayers out there who think Wicked is overrated, or simply just don't like it. I'm not going to address that here, because frankly, I'm just too darn excited to be concerned with all those Negative Nancys. So, for those who are fans (and, consequently, very, very wise people with excellent taste), I am writing this blog for you. Most of you who have televisions, radios, newspapers, or human interaction are aware that the Grammy and Tony Award-Winning musical Wicked is coming to Dayton's very own Schuster Center in February.

What you may not know -- how to get tickets. Group sales have been going on throughout October, and already a large chunk of them are gone. But take heart, you can still enjoy this beautiful and heart-breaking tale of what happened before Dorothy arrived in Oz. Tickets go on sale to the general public today, and there are still many available in all seating areas and price ranges. You'll have to be quick, though -- sales start at 10:00am, and they're expected to go fast. Already, people are lining up outside the Wintergarden at the Schuster Center to be among the first to secure their seats. If you can't make it to the Schuster Center this morning, never fear -- you can order tickets by visiting the Victoria Theatre Association's website, here... or by calling Ticket Center Stage at 937-228-3630 or 888-228-3630.

Ticket prices range from $37-$120, but the more you're able to spend, the better seats you'll have, and the more likely you'll be to get a ticket. In these tough economic times, is a mere musical really worth the cost? In this case, I say yes. This is a story full of pathos, humor, a fabulous score, and one of the truest and loveliest portrayals of friendship you'll find on the stage. And you never know, you might just leave the theatre changed.... for good.

As I said, my weekend was plum-full of entertainment, beginning with Friday's visit to the Schuster Center to see Dayton Opera's production of La Traviata. If you've been reading my previous posts, you probably got to hear all about the show, and listen to my interview with cast and crew on Miami Valley Issues. Unfortunately, the show closed over the weekend, so if you missed it, you're out of luck. It was a lush, gorgeous production, filled with lavish costumes, beautiful sets, and a magnificent raked stage (which theatre geeks like me find really cool). Soprano Shana Blake Hill, who starred as the tragic heroine, Violetta, was chill-inducing, in particular during her final scene. This was (I'm a bit embarrassed to admit) my first professional opera, and I believe I'm hooked. I'm so looking forward to the rest of the season, particularly the eerie and devilish Faust, which opens in early April. And, if you'd like to support the Dayton Opera, mark your calendars for January 29th and 31st, when Lawrence Brownlee, one of the Metropolitan Opera's newest and most talked-about tenors is set to perform.

Second on my busy weekend agenda (aside from catching a matinee of Zombieland... which was great, by the way) was a sojourn to Middletown, to visit the infamous annual Halloween attraction, the Land of Illusion. You'll probably recall about a month ago I visited Kings Island's Halloween Haunt in Mason, and ever since then, I've been in the holiday spirit -- watching scary movies, hoarding candy corn like a sugar-addicted squirrel, and counting down the days until I could visit the event I've been hearing about ever since I moved to the area five years ago.

Let me first say, this is no small-town, rinky-dink haunted maze. Land of Illusion is an established attraction that, while not on the same scale as Kings Island, is more like a seasonal theme park, minus the rollercoasters (which, in my world, is a good thing), but with traditional funnel cake/cotton candy fare, and the added bonus of a bonfire. The main attraction at Land of Illusion is also the original: the Middletown Haunted Trail. Aptly named, my friend and I were thoroughly creeped out before we ever even reached the head of the line! The maze boasts a full mile of chilling fun, and takes a good amount of time to get through. I don't want to spoil the surprises lurking around every corner, but some of the characters you'll encounter on the Trail include some classic Hollywood killers, one demented witch, and Fire Guy. Yes, Fire Guy. I had a conversation with Fire Guy my second time through the maze. I thought we were really hitting it off, until he blowtorched my shoes. My companion, ever the valiant protector, tried to shield me from Fire Guy, and when that didn't work, he valiantly ran away. Of course, I was right behind him. As we were exiting the Trail, I stopped to take a picture, and noticed immediately the strange apparition. Now, I'm sure it's very likely a combination of the dim lighting and the man-made fog... but it's altogether eerie, don't you agree?

Another of the attractions, Dr. Psycho's Haunted Estate, involves navigating your way through an entirely creepy old house. This is not for the faint of heart, or those prone to claustrophobia. There are some pretty tight spaces in the structure, and it's easy to get turned around. There are also some terrifying characters within these walls -- including one hungry fella whose visage I still haven't been able to get out of my mind. Of the four mazes, I would say this is the least kid-friendly. The others are definitely scary, but I would say they're appropriate for pre-teens and up. The other two mazes, 3-D Killer Klowns and the Temple of Terror, weren't quite as high on the fear-factor chart, but they were certainly amusing, and more than a little trippy. One piece of advice: if some kid in the chain-link maze says he knows the way out, DO NOT LISTEN.

Land of Illusion is open one more weekend, running this Friday through Sunday. Tickets start as low as $15 for a single attraction, though I would recommend the unlimited pass, which is $24.95 for Friday and Saturday, and $19.95 for Sunday. For $5 to $10 extra, you can get an express pass, which moves you to the head of the line. It's definitely convenient, and might not be a bad idea for the busy Halloween weekend. But, if you're short on cash, never fear. Though the regular lines were quite long, they are all equipped with televisions or movie screens, each broadcasting a different Hollywood thriller to keep you entertained. In between mazes, you can take a break and listen to the live music, have a cup of hot cider, or warm your hands by the communal fire. To get more information, hours, and ticket prices, click here.

And if you're looking for a slightly more low-key weekend, don't forget about Eurydice, the classic Greek love story, opening at Clark State this Friday. You can also check out Dixie Swim Club at Beavercreek Community Theatre, or if you're looking for a way to keep the kids entertained, there's Junie B. Jones and a Little Monkey Business at Town Hall Theatre in Centerville.

There's plenty more happening around Dayton, so if I've missed something awesome, let me know! You can email me here, or leave me a comment. And keep checking back, because there's a lot of exciting stuff happening in the next few weeks. We'll be talking soon about a play sure to spark some local controversy, a trip Back to the 80s, and a benefit movie screening! Clear out your calendars, because you're going to be busy!   

I say we change that. We have such a phenomenal arts community here in the Dayton area, and residents are SO supportive of the community and professional theatre companies -- why not also those affiliated with educational institutions? Often, the acting quality, set design, costumes, and so on are just as good (often better, because of fewer time contraints, more man-power, and higher budgets) as other local theatres. And many times you'll get to see performances of shows you wouldn't get to see anywhere else.

If I've piqued your interested, I have a suggestion to get you started in your foray into college theatre. Clark State Community College is putting on a production of Sarah Ruhl's Eurydice, a re-telling of the classic Greek myth. I've seen productions at Clark State in the past, and everything has been top-notch, from the sets to the performances. And if you've never been to the Performing Arts Center, it's a great venue.

In this modernized version of the love story between Eurydice and Orpheus, we get to see the tragedy played out from the heroine's perspective, as she struggles to make a choice that will determine her fate. Nicklaus Moberg, who co-stars as Eurydice's husband, Orpheus, says, "The show is a blast, it has solid acting performances, fantastic technical elements, there is even a giant pool of water on stage." In fact, Ruhl acknowledged the play was written to be a "playground" for set designers, and it sounds as if the crew at Clark State has taken that to heart.  

Eurydice also stars Elizabeth Dillard in the title role, Thomas Cole Schreier as her father, and Joel Bonsell as the Lord of the Underworld. The production is directed by Theresa Abshear Lauricella, and is being presented in the Turner Studio Theatre. 

The show opens October 30th and runs through November 8th. Friday and Saturday shows are at 8:00pm, while Sunday matinees begin at 3:00pm. And one added bonus about seeing collegiate performances -- they are usually cheaper than many other community and professional theatres! In this case, tickets are just $10 for non-students. You can order them here, or call 937-328-3874.

I'll be looking at productions at other local universities in the weeks and months ahead, so stay tuned for more! 

First, my goal in writing this blog is not to review every production at every venue in Dayton -- there are several very qualified reviewers and writers who do that job quite capably with no help from me. However, I will occasionally feel a need to give a shout-out to a particularly well-done and deserving performance. For me, DPH's The Miracle Worker was one of those.

Having only worked with the lovely Charity Farrell in one production, I hadn't experienced her full acting range. I knew her to be quite competent and talented, but didn't know how she'd pull off the intense and emotionally-mature role of Annie Sullivan, the teacher who gives Helen Keller the gift of language. To say I was pleasantly surprised is a gross understatement. Not that I doubted Ms. Farrell's abilities; rather I was most impressed at how natural and at-ease she seemed in such a tough role. Her performance was near-flawless, and in fact, if there were any flaws, I didn't notice them.

Even better, the chemistry between Charity, and 10-year-old Claire Warnecke, who played Helen with a grace and understanding far beyond her years, was almost palpable. The two played incredibly well off of each other, throwing themselves into the physically-demanding roles fearlessly. And for a character whose only dialogue is the occasional grunt or moan, and a singular utterance of "wah... wah...," Ms. Warnecke was able to communicate every emotion, thought, and feeling clearly and compellingly. In fact, every time she was on stage, I missed all the other action, because I couldn't take my eyes away from her face.

The show had a strong supporting cast, a lovely set, and solid direction (most obvious in the blocking of Helen and Annie's "fight" scenes) from Jennifer Lockwood. Unfortunately, the production closed this weekend, so if you missed it, you're out of luck. It's good news for DPH, though -- I didn't get to see Cabaret, but from all accounts it was a great show, which means the theatre's season has gotten off to a rousing and successful start.

Next up at DPH is Corpus Christi, an extremely moving and also controversial play by Terrence McNally. The show is directed by Michael Boyd, another friend and amazing performer. You can expect to see more on this coming up as the opening approaches -- including (hopefully) an interview with the director.

Also, opening this coming weekend, Dixie Swim Club at Beavercreek Community Theatre. The show, directed by Greg Smith, is a Southern-fried romp through the lives of five former swim-team members reliving their glory days, sharing heartaches, living and laughing it up throughout the years. The ensemble is chock-full of talented and hilarious women, including Cassandra Engber, Stephanie Pratt, Jill Proudfoot, Rachel Wilson, and Debra Kent. Think Golden Girls meets A League of Their Own meets Beaches. It's sure to be a good time... and definitely good for a laugh! You can find ticket prices and place orders here.

For those looking for something engaging, beautiful, and completely unique, I think I have the perfect weekend activity: attend a performance of the zOOt TheATre ComPAnY's production of The Tragedy of Hanzel and Gretel. Not only is this zOOt's first production of its inaugural season, it's also one of the most interesting and exceptional forms of theatre you're likely to find in this area.

Fans of Julie Taymoor's The Lion King will be thrilled to learn more about the zOOt TheATre ComPAnY, which engages audience members in storytellling through the use of puppetry and masks. Though they've been around for a few years, producing individual performances in various spaces, this is the company's first full season. Co-founder and Executive Director Michael Sticka says, "Our aim was simple, not only would we add to the strong theatrical presence in Dayton and offer both traditional and non-traditional experiences for the theatre goer using puppets and masks, but we set out to offer an artistically and visually stimulating product that we could produce at a downtown venue or take on tour."

The Tragedy of Hanzel and Gretel has been adapted by local actor, director, and writer Brian McKnight, and is directed by Sharon Leahy of Rhythm in Shoes. This re-telling of the classic Grimm Bros. fairytale presented the perfect story-scape for the theatre's mask and puppet-work, which, from the photos I've seen, is whimsical and haunting and magnificently-done. I have it on good authority from cast-member Amy Brooks that the show is going to be a visual stunner. Artistic Director and mask designer Tristan Cupp says, "Each mask expresses emotion and tells a story. That's what theatre is, storytellling."  

The show opens tonight, October 15th, and runs just three performances, through the 17th... so you'll need to get your tickets quickly. The company performs in the Mathile Theatre at the gorgeous Schuster Center in downtown Dayton. If you can't make it out to this production, you'll have more opportunities to see zOOt's work -- they'll be producing A Rescued Christmas at the Rosewood Arts Center in Kettering later in the year, and an adaptation of Moby Dick by Bruce Cromer at the Mathile Theatre in April.

I'd like to give my sincere congratulations to the zOOt TheATre ComPAnY on their inaugural season, and their inaugural production... I'm looking forward to seeing much more from this unusual and exciting group! 

Dayton Opera is going back to the classics this season, featuring four masterpieces of operatic achievement. The season opener is La Traviata, Guiseppe Verdi's masterful love story of Violetta, a Parisian courtesan, and the man whose love she would sacrifice anything for.

I was fortunate enough to speak to the General and Artistic Manager of the Dayton Opera, Tom Bankston, as well as the stage director for La Traviata, Kathleen Clawson, and its star, Shana Blake Hill, who plays the tragic heroine Violetta (you can find an audio file of the interview at the end of the article). The passion these three have for the production and for the story is obvious. Based on their enthusiasm alone, I would guess this is going to be phenomenal production. I've also heard whispers of Flamenco dancing, fabulous costumes, and very "athletic" performances. Who'd want to miss that?

For those who may be new to opera, and are concerned it might be a little too "stuffy" for them, I say... get over it! Okay, but I say it in a very pleasant way. Seriously, opera is an artform that anyone can appreciate. And no, you don't have to speak Italian! The lines are translated and projected above the stage for the audience to read -- just like watching a foreign film. And, also just like watching a foreign film, after you've done it once, it's easy! Of course, if you're still a little nervous, you can check out the tips the Dayton Opera has put together to answer your questions, and put your mind at ease.

The Dayton Opera really is all about education. Aside from their in-school programs, they want to make sure opera is accessible and appeals to a wide range of people. As such, the offer pre-show talks to familiarize the audience with the story of the opera. You can also do your research online. For more on La Traviata, try looking here. As well, the Dayton Opera offers its "Art & Arias" series, which introduces the audience to the art of the time period specific to the production.

As if all that wasn't enough to hook you, Dayton Opera performances take place in the Schuster Center, the most beautiful venue in Dayton. If you haven't been there, you are missing out! Tickets for La Traviata start at $15 -- see full prices here. And don't forget to check out our episode of Miami Valley Issues dedicated to Dayton Opera's production of La Traviata, below. I encourage you to attend, and give the opera a try.... if you liked Pretty Woman, you might just love La Traviata!!  

So, with another rainy Fall weekend upon us, the question again is how to spend my time, money, and ever-shrinking attention span. I have two suggestions for you; one of the "thrills and chills" variety (in keeping with this festive time of year), and one centered around a moving drama for all ages.

First, you might have read a recent blog entry about my trip to Kings Island's Halloween Haunt (and if you haven't... why not? Go... read it!). Halloween falls during my absolute favorite time of year, kicked off with my birthday in September, and running through New Year's. I've always loved the weather, the beautiful foliage, and okay, I'm not gonna lie... the holidays!! While Thanksgiving is my favorite family celebration, I still get a pleasant thrill just thinking about Halloweens past, and the Halloweens yet-to-come. But without getting too Dickensian... Halloween rocks. There's the free candy, the scary movies, the playing dress-up... and best of all -- there's the haunted houses.

I was thrilled to visit Kings Island a couple weeks ago to take part in their annual scare-fest, and I'm just as excited to head down to Middletown next weekend to visit the Land of Illusion. I can't even type it without hearing the creepy voice from the TV commercial saying it in my head: "Land of Illuuuuuuuusion." This will be my first trip to the incredibly popular seasonal haunt, and I cannot wait. I am fully in the holiday spirit, and am ready to have the holy candy corn scared out of me.

Since I'm a total newbie to Land of Illusion, I've taken a lot of information from their website. You should check it out, too. You can find prices, dates, times, and descriptions of the attractions. There are also some wicked sound effects going on (maybe turn down the volume if you're at work) that got me even more in the mood for a good scare.

Basically, the Land of Illusion is comprised of four different attractions, each of them featuring unique chills and a terrifying theme. The first is the Middletown Haunted Trail, a mile-long hike rampant with chainsaw-wielding maniacs, bloodthirsty vampires, witches, and more. You'll be stalked through the cornfields by creatures you couldn't imagine in your worst nightmares (can't wait!). The Temple of Terror is a pitch-black cave filled with creepy-crawlies and things that go bump (quite literally) in the night. In addition to that is Dr. Psycho's Haunted Estate. To understand the full scope of the horror in store there, you'll have to go here to read the background on the good (or not-so-good) doctor. Finally, for those of us who still have a sudden urge to run for cover every time we see a circus tent, there's 3-D Killer Klowns... and I'm guessing there's nothing funny about them!

Land of Illusion is open weekends through November 1st, which gives you ample opportunity to get down to Middletown and experience the terror for yourself. Ticket prices vary, but right now you can get an unlimited one-night pass for $24.95 -- print out the coupon here. Parking is $3. As well, The FreakShow Deluxe, a national program, will be presented Halloween night, and there are live bands every Saturday.  

If you go, let me know what you think. I'll be sure to post reactions, terror-stricken cell phone photos, and embarassing moments after I visit on the 24th!

Now, if all this horror stuff isn't your cup of tea, I have another suggestion for this weekend. Dayton Playhouse is presenting its production of The Miracle Worker, the true story of a young Helen Keller and Annie Sullivan, the teacher who would change her life. I've seen productions of this show in the past, and I can tell you that the story is moving, heart-breaking, and inspiring. It takes two very strong actresses in the lead roles to pull it off -- something that can be hard to find, especially at the community theatre level (of course, not many communities have theatre like Dayton!).

Director Jennifer Lockwood, who's extremely well-known and respected in the local theatre circle, has taken on this challenge. She has cast Ms. Charity Farrell in the role of Annie Sullivan -- a dream part for any actress. Charity, who recently starred as my daughter (yes, my daughter.... yeesh) in the DTG production of Les Liaisons Dangereuses, is transitioning to more adult roles, and from what I've heard, is doing a splendid job of it. Young Helen is played by ten-year-old Lima resident Claire Warnecke. It's always exciting to see children getting involved in theatre, but for someone so young to play such a difficult role... it will be a joy and a wonder to see.

The show opens tonight (break a leg, my friends!) and runs through October 18th. Tickets are $15 for adults, $14 for seniors, and $10 for children or students. Find out more here.

Whatever you decide to do this weekend, I hope you know that you always have choices, and that arts and entertainment in the Miami Valley are alive and thriving! And I hope you keep coming back here to read about what the area has to offer!      

Well, look no further than Town Hall Theatre in the "Heart of Centerville!" Town Hall Theatre is this area's dedicated children's performance center, featuring the work of the Landmark Children's Theatre Company, which features a duel youth and adult cast. Now, I have to admit, I haven't yet been to see a show at Town Hall, though I know many performers who've walked the boards there, and have heard AMAZING reviews from friends, co-workers, and parents who consistently rave about the quality and diversity of the productions.

Currently, Town Hall is finishing up a run of High School Musical and High School Musical 2 On Stage! Performances run through October 11th -- you can learn more about it here.

But what I want to talk about today is the next show coming to Town Hall -- Junie B. Jones and a Little Monkey Business. For parents and kids who are fans of the best-selling children's book series, you already know the mischief Junie B. can get herself into! This time, Junie B. is SO sick of her little baby brother... that is, until she realizes what's in it for her! What will happen if Junie B. tries to bring him to school for Pet Day? You can find out October 23-November 8 at Town Hall Theatre. Tickets are $15 for adults, $13 for students and seniors, and $10 for children 12 and under -- they can be reserved here.

The cast features Centerville Incarnation 6th grader Adele Taylor in the title role, with Springboro JHS student Paige Honegger playing her friend, Grace. Greta Wolking, Tucker Dandenault, and Emily Fischer round out the youth cast. As for the adults -- they're having just as much fun as the kids! Grace Davis, who plays the dual role of the Pricipal/Father (and is a former cast-mate of mine), says, "This show is truly fun for all ages - as adults we relate to dealing with a 5 year old, but it also takes us back in time to the days when we experienced the world AS a 5 year old. There's a lot of silliness. We have been giggling through rehearsals - the kids are really having a good time playing kindergartners!"

Grace also says this is the perfect way to introduce young children to theatre... especially since the show is just over an hour long, and caters to those short attention spans! And if your child wants to get involved in the theatre, Town Hall may be the perfect venue to let them explore and learn. Grace says the kids have learned so much throughout the rehearsal process. "Each Performance Instructor (generally 2-3 adults per production) hosts a workshop for the kids to help them in their journey as actors and I think that's a great way to tie together what they learn in their theatre classes with the current production. I think that helps things 'stick' better."